“Poetics of Witness: Graham Barnhart’s The War Makes Everyone Lonely and Nomi Stone’s Kill Class” (Review): Consequence

“Mother Memories” and “Heaven Cannot Hold Her” (Two Poems): Sand Hills Literary Magazine

“After a Disappointing Gallery Opening” (Poem): Cagibi

Badr Shakir al-Sayyab’s “In the Arab West” (Poem, Translated from the Arabic): ArabLit Quarterly

The works in this issue extend from Rabat to Aleppo to Baghdad to al-Qunfudhah, suggesting an interconnected map both real and metaphorical. There is a strong spiritual road in this issue. Wafik Khansa's "The Hadith is Written" reclaims the hadith as a literary genre, although it probably should not be read without a Frostian sense of irony.

“SamUrAi” (Album, Spoken Word with Music): Collaboration with Ai Isshiki

SamUrAi by Sam Reichman + Ai Isshiki, released 18 November 2017 1. blue 2. clearing 3. come closer 4. silence of anger 5. night is 6. narrative 7. moon 8.

Opening Night at Artefix New York (Performance, Spoken Word with Music): Collaboration with Ai Isshiki

Toscana Dance HUB Fundraiser (Performance, Spoken Word with Music and Dance): Collaboration with Ai Isshiki, Giada Ferrone, and Daniele and Martina

“S.A.R.A.H.” (Performance, Spoken Word with Music, Dance, and Visual Art): Collaboration with Sarah MacKenzie, Mirela Amaral, Ai Isshiki, and Yao Wang

“Clearing My Head 2” (Performance, Spoken Word): The Street Noise Project

Badr Shakir al-Sayyab’s “Rain Song” (Poem, Translated from the Arabic): Washington Square Review

“Court Poet for a Night” (Poem): Pinky Thinker Press